Originally written for cello and two pianos in 1886, this lushly romantic euphonium solo (which evokes a swan elegantly gliding over water) is played over rippling sixteenths and rolled chords (said to represent the swan’s feet, hidden from view beneath the water, propelling it along).
A staple in the cello repertoire, this is one of the most well-known movements of Camille Saint-Saëns’ Carnaval des Animaux.
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